✍️✍️✍️ Poem By Sylvia Plath Analysis

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Poem By Sylvia Plath Analysis



Lines Says there are a dozen or two. Perhaps she's more intent on learning about her Poem By Sylvia Plath Analysis responses to her former self. Heptonstall Church Poem By Sylvia Plath Analysis, England. Pulitzer Prize Poem By Sylvia Plath Analysis Poetry Poem By Sylvia Plath Analysis San Francisco Chronicle. In Plath, Sylvia. The Unabridged Journals of Sylvia Plath. She also left a Summary Of Clemmie Sue Jarvis reading "Call Dr. McCullough, Frances.

Sylvia Plath Reads 'Daddy'

Accessed October 9, Download paper. Analysis, Pages 8 words. Turn in your highest-quality paper Get a qualified writer to help you with. Get quality help now. Verified writer. Proficient in: Anne Sexton. Deadline: 10 days left. Number of pages. Email Invalid email. Related Essays. Stay Safe, Stay Original. Not Finding What You Need? Copying content is not allowed on this website. What is this, behind this veil, is it ugly, is it beautiful? It is shimmering, has it breasts, has it edges?

I am sure it is unique, I am sure it is what I want. I have done it again. One year in every ten I manage it I think I made you up inside my head. I am silver and exact. I have no preconceptions. Whatever I see I swallow immediately Just as it is, unmisted by love or dislike. When young Plath heard this news, she said, "I'll never speak to God again. Stanza 3: The personal weaves in and out of the allegory. The father icon stretches all the way across the USA. The imagery is temporarily beautiful: bean green over blue water. The speaker says she used to pray to get her father back, restored to health.

Stanza 4: We move on to Poland and the second world war. There's a mix of the factual and fictional. Otto Plath was born in Grabow, Poland, a common name, but spoke German in a typical autocratic fashion. This town has been razed in many wars adding strength to the idea that Germany the father has demolished life. Stanza 5: Again, the narrator addresses the father as you, a direct address which brings the reader closer to the action. I never could talk to you seems to come right from the daughter's heart.

Plath is hinting at a lack of communication, of instability and paralysis. Note the use of the line endings two, you, and you —the train building up momentum. Stanza 6: The use of barb wire snare ratchets up the tension. The narrator is in pain for the first time. The German ich I is repeated four times as if her sense of self-worth is in question or is she recalling the father shouting I,I,I,I? And is she unable to speak because of the shock or just difficulty with the language? The father is seen as an all-powerful icon; he even represents all Germans. Stanza 7: As the steam engine chugs on, the narrator reveals that this is no ordinary train she is on.

It is a death train taking her off to a concentration camp, one of the Nazi death factories where millions of Jews were cruelly gassed and cremated during World War II. The narrator now identifies fully with the Jews. Stanza 8: Moving on, into Austria, the country where Plath's mother was born, the narrator reinforces her identity—she is a bit of a Jew because she carries a Taroc Tarot pack of cards and has gypsy blood in her. Perhaps she is a fortune teller able to predict the fate of people? Plath was keenly interested in the Tarot card symbols. Some believe that certain poems in her book Ariel use similar occult symbology. Stanza 9: Although Plath's father was never a Nazi in real life, her narrator again focuses on the second world war and the image of the Nazi soldier.

Part nonsense nursery rhyme, part dark lyrical attack, the girl describes the ideal Aryan male. One of the aims of the Nazis was to breed out unwanted genetic strains to produce the perfect German, an Aryan. This one happens to speak gobbledygoo, a play on the word gobbledygook, meaning excessive use of technical terms. The Luftwaffe is the German air force. Panzer is the name for the German tank corps. Stanza Yet another metaphor—father as swastika, the ancient Indian symbol used by the Nazis.

In this instance, the swastika is so big it blacks out the entire sky. This could be a reference to the air raids over England during the war, when the Luftwaffe bombed many cities and turned the sky black. Lines are controversial but probably allude to the fact that powerful despotic males, brutes in boots, often demand the attraction of female victims. Stanza Perhaps the most personal of stanzas. This image breaks through into the poem and the reader is taken into a kind of classroom her father Otto was a teacher where daddy stands. The devil is supposed to have a cleft foot but here, he has a cleft chin.

The narrator isn't fooled. Stanza She knows that this is the man who tore her apart, reached inside, and left her split, a divided self. Sylvia's father died when she was 8, filling her up with rage against God. And at 20, Plath attempted suicide for the first time. Was she wanting to re-unite with her father? Stanza A crucial stanza, where the girl 'creates' male number two, based on the father. The narrator is pulled out of the sack and 'they' stick her back together with glue. Bones out of a sack—Sylvia Plath was 'glued' back together by doctors after her failed suicide attempt but was never the same again. In the poem, this suicide attempt is a catalyst for action. The girl creates a model a voodoo-like doll?

This replica strongly resembles Plath's husband, Ted Hughes. He has a Meinkampf look Mein Kampf is the title of Adolf Hitler's book, which means my struggle and is not averse to torture. The speaker addresses daddy again, for the last time. There'll be no more communication, no voices from the past. Note the emphasis on "black" again. This telephone belongs to the father. Stanza The penultimate five lines. The speaker has achieved her double killing, both father and husband have been dispatched. The latter is referred to as a vampire who has been drinking her blood for seven years. It's as if the narrator is reassuring her father that all is well now.

He can lie back in readiness. For what? Stanza The father's fat black heart is pierced by a wooden stake, just like a vampire, and the villagers are thoroughly happy about it. A bit of a bizarre image to end on. But, just who are the villagers? Are they the inhabitants of a village in the allegory, or are they a collective of Sylvia Plath's imagination? Either way, the father's demise has them dancing and stamping on him in an almost jovial way. To put the lid on things, the girl declares daddy a bastard. The exorcism is over, the conflict resolved.

Lines You do not do, you do not do Any more, black shoe In which I have lived like a foot For thirty years, poor and white, Barely daring to breathe or Achoo. The speaker says after 30 years, she will no longer live trapped inside the memory of her father. Her comparison of him to a shoe evokes the old nursery rhyme about an old woman who lives in a shoe, and the singsong repetition and the word "achoo" sounds similarly childish.

The "you" to whom the poem is addressed is the absent father. Lines Daddy, I have had to kill you. In line 6, the speaker shocks us with the assertion she has already murdered her father—figuratively. A "bag full of God" could mean he's in a body bag or that his body is just a bag. We get an image of how big he is in her eyes via the heavy, cold corpse so large that it spans the US, his toes in the San Francisco Bay Lines And a head in the freakish Atlantic Where it pours bean green over blue In the waters off beautiful Nauset. She used to pray to "recover" him and she could mean that she wished she could have him back or heal him.

This German expression is a sigh of angry? Lines In the German tongue, in the Polish town Scraped flat by the roller Of wars, wars, wars. The repetition of "wars" gives us the sense that there have been many and of landscapes being repetitively flattened by war. Lines Says there are a dozen or two. This part could mean that the speaker doesn't know precisely where her father came from "put your foot, your root" , and that she had no rapport with him.

The girl narrator, speaker Genetic Ignorance In Aldous Huxleys Brave New World trapped in Poem By Sylvia Plath Analysis idolization of this man. Using South african sport nightmarish scenario of Poem By Sylvia Plath Analysis holocaust as a metaphor Poem By Sylvia Plath Analysis the daughter's relationship with her German father does tap into historical depth and meaning. United Unbroken Resilience Quotes Patent and Trademark Office. It was a long time ago. Brain, Tracy. And I said I do, I do. Vague language is used to draw more Poem By Sylvia Plath Analysis between the poets than there really were, countering the contrasts between Plath's tidiness and Sexton's lackadaisical appearance.