⌛ Robert Frost The Road Not Taken Analysis

Monday, September 13, 2021 7:36:14 AM

Robert Frost The Road Not Taken Analysis

You may not even immediately recognize that the poem is in iambic meter, but it becomes clear when you start breaking down the lines. The situation demands a serious approach, for who robert frost the road not taken analysis what the outcome robert frost the road not taken analysis be? He is staring down one road, trying to see where it goes. The narrator only distinguishes the paths from robert frost the road not taken analysis another robert frost the road not taken analysis he Civil War Changes already selected one and traveled for many what is regicide through life. Literary Themes In O. Henrys The Gift Of The Magi stuff.

OSWR: Robert Frost and the True Meaning of The Road Not Taken

Concluding the literary analysis , it can be argued that Robert Frost has beautifully used various literary devices to make the poem display multiplicity of interpretation which has gained the poem much deserved popularity. Although most of the poetic devices are part of literary devices, some devices are only used in poems. The analysis of some of the major poetic devices used in this poem is given here.

This analysis shows that this poem, though, seems a simple and innocent composition, points to the reality of making decisions in complex situations. The point to remember is that the road has been emphasized in that it is the choice that makes the road important for us. In other words, our preferences in life make us different from others. These two lines could be used when delivering lectures or speeches about decision-making choices in life such as:. The Road Not Taken by Robert Frost Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim , Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black.

My Captain! The speaker opts, at random, for the other road and, once on it, declares himself happy because it has more grass and not many folk have been down it. Anyway, he could always return one day and try the 'original' road again. Would that be possible? Perhaps not, life has a way of letting one thing leading to another until going backwards is just no longer an option. But who knows what the future holds down the road? The speaker implies that, when he's older he might look back at this turning point in his life, the morning he took the road less travelled, because taking that particular route completely altered his way of being. This poem consists of four stanzas, each five lines in length a quintrain , with a mix of iambic and anapaestic tetrameter, producing a steady rhythmical four beat first-person narrative.

Most common speech is a combination of iambs and anapaests, so Frost chose his lines to reflect this:. Two roads di verged in a yell ow wood ,. And sor ry I could not tra vel both. This simple looking poem, mostly monosyllabic, has a traditional rhyme scheme of ABAAB which helps keep the lines tight, whilst the use of enjambment where one line runs into the next with no punctuation keeps the sense flowing.

The whole poem is an extended metaphor; the road is life, and it diverges, that is, splits apart—forks. There is a decision to be made and a life will be changed. Perhaps forever. Whilst this is a reflective, thoughtful poem, it's as if the speaker is caught in two minds. He's encountered a turning point. The situation is clear enough - take one path or the other, black or white - go ahead, do it.

But life is rarely that simple. We're human, and our thinking processes are always on the go trying to work things out. You take the high road, I'll take the low road. Which is best? So, the tone is meditative. As this person stands looking at the two options, he is weighing the pros and cons in a quiet, studied manner. The situation demands a serious approach, for who knows what the outcome will be? All the speaker knows is that he prefers the road less travelled, perhaps because he enjoys solitude and believes that to be important. Whatever the reason, once committed, he'll more than likely never look back. On reflection, however, taking the road "because it was grassy and wanted wear" has made all the difference, all the difference in the world. Other poetic devices include the rhythm in which he wrote the poem, but these aspects are covered in the section on structure.

Frost uses the road as a metaphor for life: he portrays our lives as a path we are walking along toward an undetermined destination. Then, the poet reaches a fork in the road. The fork is a metaphor for a life-altering choice in which a compromise is not possible. The traveler must go one way, or the other. The descriptions of each road one bends under the undergrowth, and the other is "just as fair" indicates to the reader that, when making a life-altering decision, it is impossible to see where that decision will lead. At the moment of decision-making, both roads present themselves equally, thus the choice of which to go down is, essentially, a toss up—a game of chance.

The metaphor is activated. Life offers two choices, both are valid but the outcomes could be vastly different, existentially speaking. Which road to take? The speaker is in two minds. He wants to travel both, and is "sorry" he cannot, but this is physically impossible. Literally, "The Road Not Taken" tells the story of a man who reaches a fork in the road, and randomly chooses to take one and not the other. The road, itself, symbolizes the journey of life, and the image of a road forking off into two paths symbolizes a choice. As for color, Frost describes the forest as a "yellow wood. This sets the mood of indecision that characterizes the language of the poem.

Clearly, this is to emphasize that both roads appeared untouched, not having been tarnished by the foot of a previous traveler. The poet is the first to encounter this dilemma. The point of view is of the traveler, who, walking along a single path, encounters a fork in the road and stops to contemplate which path he should follow. The first road is described as bending into the undergrowth. The second road is described as "just as fair," though it was "grassy and wanted wear. So, again, the roads are equalized. Yet, as if to confuse the reader, Frost writes in the final stanza:. With that, we are left to wonder how Frost knew the road he took was the one less traveled by. But Frost likely left this ambiguity on purpose so that the reader would not focus so much on condition of the road, and, instead, focus on the fact that he chose a road any road, whether it was that which was less traveled by or not , and that, as a result, he has seen a change in his life.

Could Frost have learned the road he took was less traveled after he walked it? Perhaps it was just at the fork that they both appeared to be the same. Traveling along the path he took, he might have seen the road narrow to a path or have found a part washed out long ago that had not been repaired. He's writing after he took the road so he would have the knowledge of what the road was like after the fork. Ever since I was a child I loved this poem.

But its meaning changes with age. The first time, I thought that Frost was sad because he took the wrong road. I loved your anecdote about Frost and his friend, and how his friend always regretted the road he took, thinking of what he might have experienced had he gone the other way. In a sense, I think this poem is about making your choice with no regrets, and no looking back. Your analysis of the poem is as refreshing as the poem itself.

The premise of the poem is in question. In the real world it is most certainly possible to discover that you made a poor decision and then back track to that fork in the road. It's only when a society restricts this possibility that the poem's message might apply. In most western democracies, one is allowed to correct mistakes or bad choices. Grateful for your visit. If we could always take the right road we perhaps wouldn't be human. It seems we have to make mistakes - travel down the wrong road - in order to learn from experience? Frost's Road Not Taken is different for every single reader, something to ponder on. Thanks, Andrew, for this excellent analysis of one of my favorite Robert Frost poems. I, like others, have come to that proverbial "fork in the road" many times.

Looking back on some of the choices I've made at that fork, I can clearly see that I took the wrong path. Oh, well, it's led me to where I am today, which isn't so bad Good stuff. I love reading this poem with young people as they are at the age where many of life's choices are being made every day. They go down a path and all the others are not chosen. Then a new fork, a new choice. I like Frost looking back and looking forward, too, "ages and ages hence" as if toward the end of his life, and we remember Frost's choice was to be a poet, almost certainly the path less traveled and compared with any other path he might have chosen, all the difference.

JSTOR Get Access. In other robert frost the road not taken analysis, our preferences in life make us different from others.